Best Museum National Museum of Funeral History.Local Arts Scene Stark Naked Theatre Company Best Local Benefactor George Fontaine, New West Records.Best Artistic Likeness of a Former President Fonde Rec Center Mural of George W.Best Bartender Alex Gregg, Anvil Bar & Refuge.Best New Movement Houston's New Hip-Hop Class.Best Artist Collective Box 13 Art Space.Best Dance Party A Fistful of Soul at the Mink.Best Dance Company Dominic Walsh Dance Theater.Best Public Art Project Boniuk Center for Religious Tolerance and the Museum of Cultural Arts Houston Mural.Best Curator Claudia Schmuckli at Blaffer Art Museum.Best Historic Art Show "Kurt Schwitters: Color and Collage" at The Menil Collection.Best Performance Space DiverseWorks Theater.Best Place to Laisser Les Bons Temps Rouler The Big Easy.She has that rare gift of illumination, discovery and adventurous fun that some actors say they have but never quite manage.
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As both the ultimate Victorian wife and the smart but icy, mod English female, Emerick clarified the very essence of both plays and yet remained her own self. Last year, for Main Street Theater, Emerick hauntingly illuminated the cool, intellectual Hannah, the linchpin of the contemporary scenes in Tom Stoppard's time-tripping Arcadia (1993), perhaps the most satisfying - and romantic - play by English theater's resident genius. As Shaw's "new woman" - Candida is cool and regally elegant, always in control and much smarter than the two men who love her and make her choose between them - Emerick was the apex and driving force of Classical Theatre's definitive, humorous, visually stunning production. This year, she played George Bernard Shaw's ideal woman, the eponymous heroine in Candida (1898). Shannon Emerick recently played two iconic characters who bookend the 20th century, and she played both of them to perfection. Who knows what future Acousticas will bring, but Austin's brainchild has already proved that the local music scene's heart is as big as its talent. With shades of Houston's storied singer-songwriter tradition born at places like Anderson Fair and the Old Quarter, each Acoustica brings together about a dozen of Houston's most talented (and altruistic) artists for an electricity-free evening, and has already spawned some unique collaborations, like rapper Fat Tony fronting artsy classical ensemble Two Star Symphony. The response was so overwhelmingly positive that several acts who didn't play begged him to do another one there have since been three more, with May's installment collecting donations for the Japanese Red Cross Society. Austin planned last November's inaugural Acoustica as a way to see several of his favorite artists in the same place and help out the Houston Food Bank for the holidays. Photographer and local music junkie Mark C. He's not even a full-time resident - splitting his time between here and Athens, Georgia, where he teaches a music-business class at the University of Georgia - but by what he's done for the local music scene, it's pretty clear Houston is where Fontaine's heart is.Ĭanned Acoustica didn't start out as a concert series. Since then, all three have either released albums or are about to, and have spent considerable time on the road, giving them valuable real-world experience and the label a new generation of talent to go alongside venerable artists like Steve Earle, John Hiatt and the Old 97's. Fontaine became a fan of all three thanks to their frequent in-stores at Cactus Music, where he is a partner, and was a regular presence at their shows long before he closed the deal. Shortly after he took over as president and CEO of New West Records, the rootsy indie label based in Austin and Los Angeles, George Fontaine signed three of the scene's most promising young talents in indie-poppers: the Wild Moccasins, singer-songwriter Robert Ellis and roots-rockers Buxton. There has been a lot of talk in the past two or three years about Houston's music scene undergoing a renaissance, but it takes more than just talk to push it to the next level.
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